Document Type

Book

Publication Date

1991

Abstract

Wallace Stegner defined one of the dilemmas facing the Western American regional writer when he observed, “The moment we segregate a writer and put the tag ‘Western’ on him we have implicitly downgraded him into some secondary category. If he's a writer we truly admire, we more often than not forget the regional limitation and think of him simply as a contemporary writer” (Stegner and Etulain 137). James D. Houston—a student of Stegner's at Stanford University and a long-time admirer of Stegner's work—has wrestled with this dilemma and has expressed a deep-seated ambivalence about his own identity and place as a Western writer. He has wanted to be known as a California regionalist, and he has accepted and worked within the confines of Western fiction. But he has also thought of himself as a writer who speaks for the American nation, and he has rebelled against the confines of the region. Casting himself as a literary cartographer, he has mapped not only the ways that California reflects the national pattern but also the ways that it offers distinctive variations.

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