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<title>Podium Presentations</title>
<copyright>Copyright (c) 2013 Boise State University All rights reserved.</copyright>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09</link>
<description>Recent Events in Podium Presentations</description>
<language>en-us</language>
<lastBuildDate>Wed, 15 May 2013 21:40:59 PDT</lastBuildDate>
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<title>Euskera Songs</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/52</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/52</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
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	<p>Basque people have a long history of oral tradition and song. At any occasion it is custom to sing in honor of the situation. I will sing 4 songs from the Basque country in Euskera, and I will explain to the audience their meaning and the symbolism used.</p>
<p>Euskal kulturari estuki agertzen da lotuta ahozko tradizioa eta abesgintza. Lau euskal abesti abesteaz gain haien esanahia azalduko diot entzulegoari.</p>

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</description>

<author>John Cortabitarte</author>


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<title>Basque Mythology</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/51</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/51</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
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	<p>After explaining the importance of mythology in Basque Culture, this presentation will introduce mythological characters, creatures and figures popular in Basque mythology. For example, lamia is a beautiful woman with long hair that she combs and who lives at the water’s edge and has duck feet.</p>
<p>Euskal kulturan mitologiak eduki duen garrantzia azaldu ondoren, zenbait izakiren aurkezpena egingo da.</p>

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<author>Jon Criswell</author>


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<title>Getting to Know Europe’s Mystery People</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/50</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/50</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
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	<p>The Basque Country with a population of less than 3 million survives in a globalizing world by adapting its ancestral culture to modern ways. Basques in the diaspora also preserve their culture by treasuring traditions their parents and grandparents passed along and by creating their own to live in today’s society.</p>
<p>Mundua globalizatuz badoa ere, Euskal Herrian eta diasporan euskal kulturak aurrera dirau tradiziori eutsiz, modernitatean murgilduz eta etorkizunari begiratuz.</p>

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</description>

<author>Itxaso Cayero</author>


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<title>From Where Will the New Bertsolaris Come?</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/49</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/49</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
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	<p>The essence of Basque identity is the language, Euskera. One of the means by which the Basque language has been maintained is the tradition of extemporaneous singing or Bertsolaritza. The tradition may have prehistoric origins and has continued into the modern era, with formalized competitions and recordings. An interesting resurgence among young people has also occurred and teenagers, male and female, have begun to study the process and take part.</p>
<p>Nondik Etorriko da Gaurko Bilintx?</p>
<p>Euskera munduko hizkuntzarik zaharrenetakoa da. Euskaldunen nortasuna euskeratik dator eta bertoslaritza euskeraren errotik. Nire aurkezpenak bertsolaritzaren jatorria eta etorkizuna zein diren aztertuko du.</p>

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</description>

<author>Christopher Bieter</author>


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<title>Basque Poetry Reading</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/48</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/48</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
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	<p>Franco’s dictatorship and its anti-Basque stance impacted the themes of Basque poetry during the dictatorship. Social justice and political protest were often the focus. After 1975, now in democratic context, Basque poets were able to broaden their topics, presenting the challenge of re-inventing Basque poetry. In addition to reading selected Basque classiscs and one original composition, audience participation will be sought in interpreting texts.</p>
<p>Francoren diktadurapean eta ondoren, demokrazian, euskal olerkariek idatzitako olerki sorta irukarruko da. Bi garai hauetan jorratzen diren gai ezberdinen adibideak dituzten olerkiak direla bitarteko, entzulegoak parte-hartzeko aukera izango du olerkien interpretazioan.</p>

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<author>Cody Beaudreau</author>


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<title>Un appel à rompre le silence : Une étude de la fonction d’un héros bergsonien dans &lt;em&gt;Un Alligator nomm é Rosa&lt;/em&gt; par Marie-Célie Agnant</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/47</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/47</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
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	<p>Dans cette étude, on examinera des éléments du roman de Marie-Célie Agnant qui fonctionnent à la fois comme un appel à rompre le silence des victimes torturées sous le régime Duvalier en Haïti et comme une tentative de guérir une nation ravagée par ce régime brutal. On démontrera dans cette analyse la manière dont le texte souligne l’importance de parler des atrocités commises par ce régime, de ne pas tout pardonner à ces bourreaux, et de les tenir responsables de leurs crimes. Antoine, le personnage principal du roman, est présenté comme un héros bergsonien qui sert de catalyseur possédant à lui seul les caractéristiques nécessaires pour réaliser toutes ces aspirations.</p>
<p>A Call to Break the Silence: A Study of a Bergsonian Hero’s role in <em>An Alligator Named Rosa</em> by Marie-Célie Agnant</p>
<p>In this study, we will examine some of the key elements in Marie-Célie Agnant’s novel and how they function both as a call to break the silence of the victims tortured by the Duvalier regime in Haiti and as an attempt to mend a nation devastated by this torturous regime. This analysis will show how the text highlights the importance of speaking out about the atrocities committed by those working for the regime, not forgiving them of these crimes, and holding them responsible for their actions. Antoine, the novel’s protagonist, functions as a Bergsonian Hero, a catalyst who manifests the characteristics necessary to accomplish these aspirations.</p>

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<author>Kelly Mower</author>


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<title>Luttes intimes: La narration d’anéantissement dans &lt;em&gt;Amour, Colère et Folie&lt;/em&gt; de Marie Chauvet</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/46</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/46</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
	<![CDATA[
	<p>Supprimée après sa publication en 1968, la trilogieroman, <em>Amour, Colère et Folie</em>, de la romancière haïtienne Marie Chauvet est restée épuisée et presque introuvable pendant des décennies. À travers les trois romans qui constituent la trilogie, le lecteur rencontre des personnages séparés par le temps et les classes sociales, mais qui sont tous confrontés à l’indifférence de la société et à la brutalité du régime militaire (allusion à peine voilée au règne de terreur du dictateur François Duvalier). Malgré leurs milieux différents, ces personnages sont réunis dans l’angoisse et luttent en silence contre cette réalité dure. Pour eux, il existe un conflit entre leur mondes intérieur et extérieur. Au fur et à mesure que l’on se penche sur la progression du cadre et de la structure narratrice de la trilogie, se révèle une transformation graduelle de l’espace personnel (soit physique ou mental) de refuge sûr en prison étouffante, où la lutte devient inutile et la réalité sombre dans la folie.</p>
<p>Quiet Struggles: The Narration of Suppression in Marie <em>Chauvet’s Amour, Colère et Folie</em></p>
<p>Suppressed after its publication in 1968, the trilogy-novel, Amour, Colère et Folie, by Haitian novelist Marie Chauvet remained out-of-print and almost impossible to find for decades. In the three novels that form the trilogy, the reader encounters characters separated by time and social class, but who are all faced with society’s indifference and the brutality of the military regime (a thinly veiled allusion to the dictator François Duvalier’s reign of terror). Despite their disparate backgrounds, these characters are linked through their anguish, struggling in silence against this harsh reality. For them, there exists a conflict between their interior and exterior worlds. A look into the progression of the trilogy’s setting and narrative structure reveals a gradual transformation of personal space (be it physical or mental) from a safe refuge into a suffocating prison where struggle is rendered useless, and reality dissolves into madness.</p>

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<author>Carl Kitchen</author>


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<title>Vies en contexte: Au carrefour de la société, de la famille et de l’individu dans &lt;em&gt;La Chambre interdite d’Évelyne Trouillot&lt;/em&gt;</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/45</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/45</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
	<![CDATA[
	<p>Cet exposé analyse le recueil <em>La Chambre interdite</em> par Évelyne Trouillot afin de divulguer la réalité quotidienne des femmes en Haïti contemporaine. Dans chaque histoire, l’enfermement et le silence se présentent comme thèmes unifiants. En vue de mieux apprécier la signification de ces thèmes, nous nous proposons d’examiner en détail trois des six contes du recueil; chaque conte étudié nous permettra de souligner un des trois types d’enfermement se trouvant dans l’oeuvre, et que nous avons identifiés comme individuel, politique et social. Nous démontrerons à cet effet que les angoisses des personnages féminins s’enracinent souvent dans le silence même qui les enferme. Puisque ce silence sanctionne alors en quelque sorte les problèmes d’enfermement, parler des défis qui confrontent l’Haïti d’aujourd’hui pourra ouvrir les avenues de discours nécessaires pour que des changements sociaux et politiques se réalisent.</p>
<p>Lives in Context: The Intersection of Society, Family, and the Individual in <em>La Chambre interdite</em> by Évelyne Trouillot</p>
<p>This paper uses Évelyne Trouillot’s short story collection <em>La Chambre interdite</em> as an avenue to uncover the everyday realities of women living in contemporary Haiti. In each story, entrapment and silence present themselves as unifying themes. In order to better appreciate the significance of these themes in the collection, I will examine three of the six stories in detail; each story studied will serve to underline one of three types of entrapment found in Trouillot’s work that I have identified as individual, political, and social. In fact, as I will demonstrate, most of the women’s anguish stems from their silence with respect to the challenges and barriers that surround them. Because this silence, in a sense, sanctions these problems, speaking about the challenges that Haitians face today could open avenues of discourse where political and social change can occur.</p>

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<author>Brittany Bogue</author>


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<title>Japanese In My Life</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/44</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/44</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
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	<p>My presentation will detail my first interests in Japanese, study habits, and experiences with the Japanese language.</p>

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<author>Jeffrey Galbraith</author>


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<title>“Watashi to Nihongo”</title>
<link>http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/43</link>
<guid isPermaLink="true">http://scholarworks.boisestate.edu/under_conf/2009_under_conf/podium_09/43</guid>
<pubDate>Mon, 20 Apr 2009 13:00:00 PDT</pubDate>
<description>
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	<p>I will talk about my experience in learning Japanese up to now, including: why I choose to study Japanese, the difficulties I have met, and it’s influence in my life. I will also talk about what my future plans are concerning Japanese, such as further education in the language, usage in real life situations, and sharing this knowledge with others.</p>

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<author>Charlotte Dolecheck</author>


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