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Submissions from 2014

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An Exploratory Study of Musicians’ Self-Efficacy to Maintain Practice Schedules, Joanne P. Rojas and D. Gregory Springer

Submissions from 2013

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Salzburg Chorbuch W.b. XIV Magnificat Traditions in Post-Tridentine Salzburg, C. Michael Porter

Creative Thinking in Orff Schulwerk, D. Gregory Springer

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Preservice Music Teachers’ Attitudes Toward Popular Music in the Music Classroom, D. Gregory Springer and Lori F. Gooding

Submissions from 2012

Teaching Clarinet Fundamentals, Carola K. Winkle

Submissions from 2011

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Demographics and Faculty Time Allocation of Music Education Professors in the United States, Wesley D. Brewer and David A. Rickels

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Simply Madeleine: The Memoir of a Post-World War II French Pianist, Madeleine Forte

Submissions from 2010

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Influences on Career Choice Among Music Education Audition Candidates: A Pilot Study, David A. Rickels, Kimberly H. Councill, William E. Fredrickson, Michelle J. Hairston, Ann M. Porter, and Margaret Schmidt

Books from 2005

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No Wrong Notes, Norman Weinstein

Submissions from 2004

How To Buy a Step-Up French Horn, David Saunders

Submissions from 2000

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Henry Wolking’s Ballet Forever Yesterday, Jeanne Marie Belfy

Submissions from 1995

Where Are the Euphoniums?, David Mathie

Submissions from 1994

Improving the Sound of Your Trombone Players, David Mathie

Submissions from 1992

A 20th-Century Alternative for the Alto Trombonist: Paul Hindemith's Sonata for Alto Horn, David Mathie

Submissions from 1991

'Judith' and the Louisville Orchestra: The Rest of the Story, Jeanne Marie Belfy

Submissions from 1990

"The Tournament of Tottenham": Music as Enhancement of the Prosody, Linda Marie Zaerr and Joseph Baldassarre

Submissions from 1986

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Louisville Orchestra, Jeanne Marie Belfy