Submissions from 2015


Simmering, Uxue Alberdi and Nere Lete


A Writers Topography: Space and Place in the Life and Works of Albert Camus, Jason Herbeck and Vincent Grégoire


Introduction, Jason Herbeck and Vincent Grégoire


Redefining Modernity in Latin American Fiction: Toward Ecological Consciousness in La loca de Gandoca and Lo que soñó Sebastian, Adrian Taylor Kane

Submissions from 2014


What’s in a Bot? L2 Lexical Development Mediated Through ICALL, Kelly Arispe

Game On! Teaching Foreign Language Online, Kimberly K. Carter-Cram


Eva Rossmann’s Culinary Mysteries, Heike Henderson


Central American Avant-Garde Narrative: Literary Innovation and Cultural Change 1926-1936, Adrian Taylor Kane

Submissions from 2013

Vocabulary Games for the Beginner Interpreter Classroom, Fátima Maria Cornwall


Wandering Women in French Film and Literature: A Study of Narrative Drift, Mariah Devereux Herbeck


Cannibalistic Delights: Human Consumption in Contemporary German Literature, Heike Henderson


Entretien avec Fabienne Kanor, Jason Herbeck


Quand Camus ne fait pas de théâtre, Jason Herbeck


Blood in the Water: Salvadoran Rivers of Testimony and Resistance, Adrian Taylor Kane


I Would Rather Not Lie, Eider Rodriguez and Nere Lete

Submissions from 2012


Individual Factors and Successful Learning in a Hybrid Course, Kelly Arispe and Robert J. Blake

Reinterpreting Cinematic Utopia in Coline Serreau's Chaos (2001), Mariah Devereux Herbeck


Eva Rossmann’s Mystery Novel «Russen kommen» The Russians Are Coming: New Crimes, Old Fears, and Intercultural Alliances, Heike Henderson

Performing Cannibalism: Werner Schwab’s "ÜBERGEWICHT, unwichtig: UNFORM", Heike Henderson

Humor, Irony and Surrealism in Luis Cardoza y Aragón’s Maelstrom: Films telescopiados (1926), Adrian Kane


Silences, Jokin Muñoz and Nere Lete


Antje Rávic Strubel's Ambiguities of Identity as Social Disruption, Beret Norman


"Memory Is Always a Story": An Interview with Antje Rávic Strubel, Beret Norman and Katie Sutton


Politics Today, Eider Rodriguez and Nere Lete

Submissions from 2011

Creating Your Own Interpreting Materials for Use in the Classroom, Fatima Maria Cornwall

The Smiling Madame Beudet (1922) Gets a Facelift: Claire Denis’ Modern Portrayal of Female Desire in Friday Night (2002), Mariah Devereux Herbeck


Geographies of Food: 'Afters', Heike Henderson

"Strange" Foods, Taboos, and German Tastes, Heike Henderson


La fortune scénique de Camus en France: Prise de conscience et mise en scène dans L'État de siège : anatomie d'un échec, Jason Herbeck


Le Polar aux Antilles et le cas de Rosalie l’Infâme d’Évelyne Trouillot, Jason Herbeck

‘Noces à Tipasa’ d’Albert Camus: etat des lieux d’une relation précaire, Jason Herbeck


User-Friendliness and Virtual Reality: A Hypertextual Reading of Alain Mabanckou’s Verre Cassé, Jason Herbeck


Carousel of Consumerism: Austrian Filmmaker Barbara Albert’s Critique of Contemporary Society in Böse Zellen, Beret Norman

Submissions from 2010

Cooking Up the Politics of Identity, Corporeality, and Cultura: Humor and Subversion in Denise Chávez's Loving Pedro Infante, Maria Alicia Garza

When There is No Echo, Jason Herbeck


The Natural World in Latin American Literatures: Ecocritical Essays on Twentieth Century Writings, Adrian Taylor Kane

Submissions from 2009

Film, Foucault and the Fringe: Outcasts of Contemporary French Film, Mariah E. Devereux Herbeck

La Mère antillaise: Ouverture ou obstacle à la créolité? (The Antillean Mother: Opening or Obstacle to créolité?), Mariah E. Devereux Herbeck

Detective Narrative Typology: Going Undercover in the French Caribbean, Jason Herbeck

Interview with Evelyne Trouillot (Entretien avec Evelyne Trouillot), Jason Herbeck

‘La Femme adultère’ d’Albert Camus: Anatomie d’une absence, Jason Herbeck

Sensibilité absurde et eau sacrée: Albert Camus et la Méditerranée, Jason Herbeck


Ludics as Subversion in Arturo Arias’s Sopa de Caracol (2002), Adrian Kane

Submissions from 2008

André Breton’s Nadja: A Vagabonde in a Femme Fatale’s Narrative, Mariah E. Devereux Herbeck

Narrative Assault in Laetitia Masson's À vendre, Mariah E. Devereux Herbeck

Raphaël Confiant’s Le Meurtre du Samedi-Gloria: Crime and Testimony, Jason Herbeck

El Tigre de Flavio Herrera: Entre el Criollismo y el Vanguardismo, Adrian Kane


‘Avant-femme’ or Futuristic Frauen: Collaborative Art by Women in the German Democratic Republic, Beret Norman


Ostalgie as Verfremdungseffekt in Neo Rauch’s Paintings, Beret Norman


Social Alienation and Gendered Surveillance: Julia Franck Observes Post-Wende Society, Beret Norman

The Politics of Austrian Hip-Hop: HC Strache’s Xenophobia Gets Dissed, Beret Norman

Submissions from 2007

Endeavours of Authenticity: Architectural/Architextual Expression in Traversée de la Mangrove, Jason Herbeck

Submissions from 2006

Cooking up Memories: The Role of Food, Recipes and Relationships in Jeannette Lander’s Überbleibsel, Heike Henderson

Submissions from 2005

Au nom du discours amoureux: Une Etude glissantienne de Gouverneurs de la rosée et Romeo and Juliet, Jason Herbeck

Gouverneurs de la... mangrove : une étude de sources littéraires antillaises, Jason Herbeck


Euskal Erbeste Politikoa Uruguain (1943-1955): Eusko Jaurlaritzaren Administrazioa eta Kanpo Ekintza Azterrian, Xabier Irujo Ametzaga

Books from 2004


Existential Authenticity in Three Novels of Spanish Author Miguel Delibes, Teresa Boucher


Beyond Currywurst and Döner: The Role of Food in German Multicultural Literature and Society, Heike Henderson

Submissions from 2000

Craving Credibility: Teresa de Avila’s Shifting Discourse in Meditaciones sobre los Cantares, Teresa Boucher

Geschichte(n) erzählen: Literarische Erinnerungen an eine Kindheit in der Türkei, Heike Henderson

Submissions from 1999

The Filmic Reframing of El Disputado voto del Señor Cayo [The Disputed Vote of Mr. Cayo] by Miguel Delibes, Teresa Boucher

Submissions from 1998

Delibes and 'The Question Concerning Technology', Teresa Boucher

Submissions from 1996

The Widow’s Peak /The Widow Speaks: Carmen’s Idle Talk in Miguel Delibes’s Cinco horas con Mario [Five Hours with Mario], Teresa Boucher