Hess’s strategies for revelation vary from the Roethkean contemplation of “little” events, to assuming the myths of native Americans, to direct contemporary narrative. Many of these poems read like meditations, where little presupposition is imposed upon landscapes or objects. Hess’s careful imagery allows the grasshopper, the cloud, and even the artist Rubens to speak to the reader. The power of the Western landscape and the human heart coalesce in Hess’s verse.
Hess, Sonya, "Kingdom of Lost Waters" (1993). Ahsahta Press. Paper 50.